|
|
Towards the Boundaries of Fictional Narrative
Pčola, Marián ; Glanc, Tomáš (advisor) ; Svatoň, Vladimír (referee) ; Derlatka, Tomasz (referee)
My thesis examines the nature of contemporary fictional narration and explores its relations to other types of narration - mainly texts where educational or informative function prevails over the aesthetic one. The whole work is divided into four parts. The first part is theoretical; it sets up basic areas of interest and names methods, tools and models that will be tested on selected examples from Slavonic literatures. The second part analyses spatial and temporal relations of fictional narrative. Chapter 2.1 treats time and space in a novel mostly from the compositional point of view (based on the example of Sasha Sokolov's A School for Fools), while in the next chapter, focusing on ideational interconnections between literary and social- political utopias, both fictionality and temporality are understood more broadly than mere narrative categories: they serve as certain points of connection between the immanent occurrence of meaning in the "world of text" and its historical background. The third part continues in this direction, only what we mean by context here is not the collective historical background, but an individual sphere of everyday life. Our focus switches to two genres standing on the boundary of literary fiction and non-fiction - personal correspondence and a travel journal (travelogue). The...
|
|
|
The portrayal of family in Hanif Kureishi's Intimacy and Elizabeth Day's Scissors Paper Stone
Balážová, Anna ; Chalupský, Petr (advisor) ; Topolovská, Tereza (referee)
This thesis concentrates on the depiction of family in two contemporary British novels. These are: Hanif Kureishiʼs In macy (1998), wri en in the first person narra ve, and Elizabeth Day's Scissors Paper Stone (2011), written in the third person narrative. This thesis analyses the novels from various perspectives with the main emphasis put on the theme of family. It also takes into consideration the different narrative modes used in the novels. In the theoretical part this thesis concentrates on the development of family with the main stress placed on the changes that took place in the second half of the twentieth century in Britain. The topics that it deals with are the breakdown of a relationship, fatherhood, dysfunctional communication and other themes concerning the family and interpersonal relationships.
|
|
|
Postmodern Characteristics of KURT VONNEGUT
Adamová, Kateřina ; Klumparová, Štěpánka (advisor) ; Kubíček, Tomáš (referee)
This thesis analyzes narrative strategies of Kurt Vonnegut as a postmodern author with a specific style. The first part defines postmodernism as opposed to modernism and explains all essential notions to provide the theoretical background. This part also includes a biographical element, describing the important events of the author's life, as these had a major influence on his work. Second part of the thesis analyzes the narrative style of the two selected books, Breakfast of Champions and Mother Night. The conclusion summarizes the most important specifics of the author's narrative strategies and style in the given books. This thesis presents Kurt Vonnegut as a significant and influential representative of postmodern American literature of the second half of the 20th century. Vonnegut fully employs the narrative strategies typical for this period, and by experimenting he creates his own unique style.
|
guest ::
